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Met Opera Series

Click here to jump down to the 2016-17 schedule. Click here for the Met Opera Live in HD Series webpage.


Tickets for general admission seating for the 2016-2017 season are now available for purchase. Tickets may be purchased individually online through The Jefferson Center ( or at the door one hour prior to performance. Ticket prices are:

  • $18      Met Members, Opera Roanoke Subscribers and Senior Citizens
  • $20      Adult
  • Free     Students (with current valid school ID) and Children
Special Requirements

Email   with special seating requirements or call 540-857-6492. Special arrangements must be made by 5:00 PM on the Thursday prior to the performance on Saturday. For all performances, doors open one hour before show time.


Performances are held in Whitman Theater in the Business Science Building.

Parking is available in parking lot 15 on the North Campus. Click here for a campus map.

General Information

Please turn cell phones and electronic devices off during performances.

Inclement Weather

Click here for information on how to find out if the college is closed or events are cancelled.

2016-17 Live in HD Schedule

The new season of the Met's Emmy and Peabody Award-winning performance transmissions to movie theaters around the world features ten presentations.

Wagner's Tristan und Isolde

October 8, 2016; 12:00 PM (Approx. run time is 4:47)

Tristan und IsoldeTristan und Isolde opens the Met season in a new production by Mariusz Treliński (the director responsible for the 2014–15 season's double bill of Iolanta and Bluebeard's Castle), and will be well served by a cast of outstanding Wagnerians: Nina Stemme as Isolde, Stuart Skelton as Tristan, Ekaterina Gubanova as Brangäne, and René Pape as King Marke, with Sir Simon Rattle conducting, in one of his rare appearances at the Met.

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Mozart's Don Giovanni

October 22, 2016; 12:55 PM (Approx. run time is 3:22)

Don GiovanniThree charismatic singers, Simon Keenlyside, Ildar Abdrazakov, and Mariusz Kwiecien, share the role of the title hero, who goes to hell in a dazzling coup de théâtre. The ensemble of great Mozartean singers includes Isabel Leonard, Angela Meade, Matthew Polenzani, Marina Rebeka, Erwin Schrott, Ramón Vargas, and Rolando Villazón. Fabio Luisi and Plácido Domingo conduct.

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Saariaho's L'Amour de Loin

December 10, 2016; 12:55 PM (Approx. run time is 2:33)

L'Amour de LoinFinnish composer Kaija Saariaho's breakthrough opera was described by the New York Times as "transfixing…a lushly beautiful score." Commissioned by the Salzburg Festival, where it was first seen in 2000, it will now finally have its Metropolitan Opera premiere in a dazzling new production by Robert Lepage, featuring glimmering ribbons of LED lights that extend across the length of the stage and over the orchestra pit. Eric Owens is the knight on a quest of love and Susanna Phillips is his lover on the other side of the sea. Conductor Susanna Mälkki makes her Met debut.

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Verdi's Nabucco

January 7, 2017; 12:55 PM (Approx. run time is 2:44)

NabuccoThe legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

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Gounod's Roméo et Juliette

January 21, 2017; 12:55 PM (Approx. run time 3:04)

Romeo et JulietteWhen Diana Damrau and Vittorio Grigolo starred opposite each other in Manon at the Met in 2015, the New York Times said, "the temperature rises nearly to boiling every time Damrau and Grigolo are on stage together." Now they're back as opera's classic lovers, in Gounod's lush Shakespeare adaptation. The production, by director Bartlett Sher, has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Gianandrea Noseda conducts the sumptuous score.

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Dvořák's Rusalka

February 25, 2017; 12:55 PM (Approx. run time 3:40)

Kristine Opolais stars in the role that helped launch her international career, the mythical Rusalka, who sings the haunting "Song to the Moon."” Mary Zimmerman brings her wondrous theatrical imagination to Dvořák's fairytale of love and longing, rejection and redemption. Brandon Jovanovich, Jamie Barton, Katarina Dalayman, and Eric Owens complete the all-star cast, and Mark Elder conducts.

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Verdi's La Traviata

March 11, 2017; 12:55 PM (Approx. run time 2:33)

La TraviataSonya Yoncheva sings one of opera's most beloved heroines, the tragic courtesan Violetta, a role in which she triumphed on the Met stage in 2015, opposite Michael Fabiano as her lover, Alfredo, and Thomas Hampson as his father, Germont. Carmen Giannattasio sings later performances of the title role opposite Atalla Ayan, with the great Plácido Domingo as Germont. Nicola Luisotti conducts.

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Mozart's Idomeneo

March 25, 2017; 12:55 PM (Approx. run time 3:58)

IdomeneoMozart's first operatic masterpiece returns to the Met in the classic Jean-Pierre Ponnelle production, conducted by Music Director Emeritus James Levine. The superb ensemble includes Matthew Polenzani as the king torn by a rash vow; mezzo-soprano Alice Coote in the trouser role of his noble son Idamante; soprano Nadine Sierra as Ilia; and soprano Elza van den Heever as the volatile Elettra, who loves Idamante to the bounds of madness.

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Tchaikovsky's Eugene Onegin

April 22, 2017; 12:55 PM (Approx. run time 3:38)

Eugene OneginTchaikovsky's setting of Pushkin's timeless verse novel is presented on the Met stage in Deborah Warner's moving production, starring Anna Netrebko and Dmitri Hvorostovsky as Tatiana and Onegin. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.

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Strauss' Der Rosenkavalier

May 13, 2017; 12:30 PM (Approx. run time 4:12)

Der RosenkavalierThe dream cast of Renée Fleming as the Marschallin and Elīna Garanča as Octavian star in Strauss's grandest opera. In his new production, Robert Carsen, the director behind the Met's recent Falstaff, places the action at the end of the Habsburg Empire, underscoring the opera's subtext of class and conflict against a rich backdrop of gilt and red damask, in a staging that also stars Günther Groissböck as Baron Ochs. Sebastian Weigle conducts the sparklingly perfect score.

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Phone: 540-857-VWCC (8922)
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